The Swords cut through truth and falsehood. Their primary function is to eliminate any residual impurities to access truth and purity.
Two pairs of swords now cross to define the space of a precise and focused thought. The central oval has narrowed: nothing can distract our attention from the focal point. Along with the initial colors, light blue and white are now present. The mind awakens to the elemental paradigms of the swords. In the harmonious balance of this Four, mental activity is visionary and stable.
At the heart of this symbolic cognitive egg, the embryo of our pineal gland, a flower blooms... it dances the jig or the tango. Its golden sepals mock the red and blue-receptive tail. A mistletoe berry, a reminder of promises of transcendence, stands as a sexual appendage. The activity of the Four of Swords achieves the perfection of its animal vibration.
Vitruvian Man represents the peak of humanist rationalism. His intelligence is the spontaneous extension of rigorous geometry, exalting the idealized perfection of our nature. The square, an Euclidean representation of the Four, is centered on his genitals: reproduction is the immanent source of materialization. And the navel, the heart of the circle, consecrates the apotheosis of anthropocentrism.
Based on "Vitruvian Man," Leonardo da Vinci (1452 - 1519)
